The preceding novels dealt with man trying to find a meaningful relationship with the immediate family, and this one deals with man in relationship to the community and as an isolated being unable to communicate with his fellow man.Ĭleanth Brooks writes that the community serves as 'the field for man's actions and the norm by which his action is judged and regulated.' But the difficulty here is that we do not have a sufficient picture of the norm. Light in August follows in the logical pattern set by Faulkner's two earlier novels, The Sound and the Fury and As I Lay Dying. The isolation of each character only reinforces his struggle for status both with the community and with himself. These two views do not exclude each other. Phyllis Hirshleifer emphasizes the isolation of man in the novel, while Cleanth Brooks sees in it man's relationship in the community. The reaction of the various characters to the community offers another basic approach to the novel. The complex theme of man's need to live within himself while he recognizes his responsibility both to himself and to his fellow man will support such a multiple approach to Light in August. Perhaps this is because the complexity of the novel yields to no single interpretation but seems to require a multiple approach. It suggests such themes as man's isolation in the modern world, man's responsibility to the community, the sacrifice of Christ, the search-for-a-father, man's inhumanity to man, and the theme of denial and flight as opposed to passive acceptance and resignation.Įach of these can be adequately supported, but none seems to present the whole intent of the novel. The novel may be interpreted on many levels. In Light in August, the family as a unit is replaced by the community, which although not examined as the family is in other novels, serves as the point of departure.

In his next major novel, Absalom, Absalom!, Faulkner returned to the family as the point of departure for his story. In Sartoris, The Sound and the Fury, and As I Lay Dying, Faulkner had examined the relationship of the individual to his family. Light in August is the culmination of this creative period and is the novel in which Faulkner combines many of his previous themes with newer insights into human nature. The publication of this novel marked the end of Faulkner's greatest creative period - in four years he had published five substantial novels and numerous short stories. Here he combined numerous themes on a large canvas where many aspects of life are vividly portrayed. Light in August is probably Faulkner's most complex and difficult novel. 132-53, 170-72, by permission of Louisiana State University Press.) 8 (Baton Rouge Louisiana State University Press, 1960), pp. (*Reprinted from Studies in American Literature, ed.

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